digital imageMaker international » Photoshop
Photoshop Forum with Competitions and Prizes
A Photoshop forum with monthly competitions with real prizes. This is just to let you know of a Photoshop forum that may be of interest to you. There are many “Professional” Photoshop users that frequent the forum. Some have links to their sites and some are PS authors, instructors, etc. They (along with others in the group) are more than willing to answer your Photoshop questions. If you are interested in a group with over 4000 members worldwide; that has monthly contests (utilizing Photoshop of course) and great prizes from many vendors then this is the place to go. Each member gets a vote for the contest entry of their choice. The link to the (Yahoo Group) forum ishttp://groups.yahoo.com/group/adobephotoshop The members vote on their favorite entries viawww.adobephotoshopcontest.com/modules/newbb So stop by both links and have a look. … Read entire article »
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Blur, Layers and Blending Modes, a Magic Mix in Photoshop, Part 5
In this last, extra part, I cover how to determine just how much blur is enough? One thing I haven’t covered in this series was how to determine just how much to blur the image. So let’s cover that now. This is the way I work: 1. Open the Camera RAW (I always work in this) and adjust as necessary 2. Resize the base image in Photoshop for my intended use 3. Do anything else to the image I might otherwise do, such as stitching a panorama, removing dust spots, etc 4. This should give you a perfect image ready to work with 5. Sharpen the base image so it looks right at 100% 6. Duplicate the layer 7. Set Blend Mode to Multiply or whatever you are using on this image (so you can see the exact effect) 8. … Read entire article »
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Blur, Layers and Blending Modes, a Magic Mix in Photoshop, Part 4, Why
Concluding our exploration of Layers, Gaussian Blur and Blending Modes, Part 4 explores the topic of when and why you might choose to use this approach. Before: Over the last three articles we have explored various ways to create a particular look and how do we do it. In this, last, article, I want to explore the much more important question of why would we use it. I will also show a body of work I am in the process of creating using this technique. Before: After: I always try to work from the point of view that the image comes first, the focus being what do I want to say with the piece, and then the secondary question is how do I achieve it, rather than to focus on the technique first. Before: After: So, firstly, we … Read entire article »
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Blur, Layers and Blending Modes, a Magic Mix in Photoshop, Part 3
Continuing our exploration of Layers, Gaussian Blur and Blending Modes, Part 3 explores the approach that I prefer. In this article we explore a couple of additional ways of doing it, including the one I prefer. It can be more complex but it offers much more control.Variation 3 – Use a Selection Based on Color Range 1 – The starting image 2 – Select > Color Range 3 – Choose Highlight 4 – The result is a selection of just the highlight areas 5 – Do a copy and paste and you will get just the highlights into a new layer 6 – Change the Blending Mode to the appropriate, in this case Screen, and apply the blur to the level that you want The trouble with this way is that it only selects a very small range … Read entire article »
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Blur, Layers and Blending Modes, a Magic Mix in Photoshop, Part 2
Continuing our exploration of Layers, Gaussian Blur and Blending Modes, Part 2 takes a more complex approach. So what do we do if the basic approach doesn’t give you what you want.Variation 1 – Lighten the image first By lightening the image first, before the duplication step, we avoid the darkening of the image that happens as a consequence of using Multiply. 1 – The original image 2 – Duplicated and Multiply blending mode, the image is quite dark 3 – Going back to the starting image, I lighten it by using levels and adjusting the midpoint slider so the image is lightened without clipping 4 – Now when we duplicate and change to Multiply the image is less dark but has the desired appearance 5 – now the blur gives us the image we wantVariation 2 … Read entire article »
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Blur, Layers and Blending Modes, a Magic Mix in Photoshop, Part 1
People are often looking for ways to give their images a different look in Photoshop. I find that the combination use of Layers, Gaussian Blur and Blending Modes can be a match made in Heaven. Part 1 takes the simple approach. The image before: If you think of some of the types and techniques of traditional photography that produce quite evocative photography, many of them involve some mix of blur and sharpness. Shallow depth of field techniques, the halation glow in some film-based infrared photography, the use of Vaseline on a filter or a black or white stocking stretched over a lens or even a dedicated diffusion filter, like those offered by Tiffen in many variations, all involve a controlled degree of blur. This blur may, depending on the technique, serve to … Read entire article »
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Fake Miniature Macro Photography in Photoshop
This technique allows you to produce images that look like they are photographs of amazingly detailed models, yet are, in fact, images of the real world. Macro shots of real miniatures are characterized by a shallow depth of field, leading to areas of substantial blur in front of and behind the plane of focus. You can simulate this look in Photoshop fairly easily. Technique: * Open your image in Photoshop * Since real models often have slightly more color … Read entire article »
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Power Retouche Photo-retouching Plug-ins
In this review we look at the Power Retouche range of plug-ins for Photoshop and compatible applications Power Retouche publish a larger number (24 at last count) of Photoshop and compatible application plug-ins for photographers and those editing images. They can be bought individually or in one of two complete sets: in the cheaper they are limited to working on 8-bit RGB images, in the second, pro, version, they will work in 8-bit or 16-bit mode in RGB, Grayscale, Duotone. CMYK, Multichannel or Lab. Because of the number of filters, we’ll spend more time on some than on others. I’ll mention here one limitation I have noticed across multiple filters. When you have a side by side, before and after, view up, you can only move around within the limitation of the … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 7 – Vanishing Point, Printing, PDF and Zoomify
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine Vanishing Point, Printing, PDF and Zoomify. Vanishing PointVanishing Point is now on the way to supporting multiple, connected planes with angle adjustments so that planes do not need to joint at 90 degrees. In practice I feel this part still has a long way to go. It works well but, at least to me, it feels massively limited by not being able to clone in from another image. I’d call this a work in progress. PrintingThis is great. It puts everything you need in one place and provides a meaningful preview to show you exactly what you will get. As it comes up it shows the color management area on the right You … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 6 – Cloning, Healing, Performance, Blending Modes and Brightness/Contrast
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine Cloning, Healing, Performance, Blending Modes and Brightness/Contrast. Cloning and Healing The new Clone Source Palette is a great help and extends the functionality of cloning and healing in an efficient way. It puts nice numerical values in view (and for change), which is immensely helpful for certain cloning tasks, allows rotation and scaling, several clone sources to be defined, a visible overlay and more. Plus there is more functionality in the tool options bar. Performance Even for a Beta, CS3 is an improvement over CS2. Bridge is much faster generating thumbnails and Photoshop seems generally snappier. Blending modes Old and New Two new blending modes join the mix, Lighter Color and Darker Color, which fairly obviously … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 5 – Auto Photomerge
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine Auto Photomerge Auto PhotomergeThis new facility makes much use of the Align Selected Layers Based On Content and Blend Selected Layers Based On Content features to make the stitching or panoramas or mosaics easy. It can operate in five modes Auto seemed to always select Perspective, at least with me Perspective Cylindrical Reposition only Interactive Layout I found Interactive Layout gave the best result for me, as these two examples show, including verticals. You can work manually or automatically. You can turn off automatic snap to image, allowing you to position the images in anyway you like, including obviously strange ways. Auto Photomerge works amazingly well. Since I have the latest version of Stitcher to review, I will do … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 4 – Auto Align, Quick Select and Refine Edge
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine Auto Align, Quick Select and Refine Edge AlignAuto Align based on image content is a great tool for putting together mosaics (where you shoot overlapping images to build up a higher resolution image than your camera is capable of with one image) and panoramas. This is a useful facility and I can see lots of uses for it in my own work. It gives another option to using the Auto Photomerge facility. Quick Selections and Refine EdgeQuick Select is another selection tool, and you can never have too many of those to choose from. Seriously. I find myself switching from one to another, adding to or removing from a selection. It … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 3 – Black and White
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine Black and White. Black and White The Black and White conversion functionality that is now in Camera RAW is brought out into the Image > Adjustments menu. The Black and White adjustment allows you to individually control how different colors are rendered into tone. There are also standard presets and you can save your own. The presets give you quite a range of effects You can also add a tint to the image from in the same dialog. The new BW features are a useful addition. … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 2 – Smart Filters
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine Smart Filters. Smart FiltersSmart Filters have been probably the most eagerly awaited new PS feature. Planned for CS2, they could not get it going in time for that release to the team’s satisfaction. So it now appears. To apply Smart Filters you must first convert a Layer (or selected group of Layers) to a Smart Object You get a warning you can turn off And the thumbnail changes appearance to show you this After that, as you apply filters to the Layer(s) you will get these added to the layer display. Note that all the filters you apply will have one, collective mask. This could be a limitation for some, and it would be … Read entire article »
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CS3 Beta Indepth – Photoshop, Part 1 – User Interface and ImageReady
In our ongoing coverage of the CS3 Beta we now get to the main show, Photoshop. In this part, we examine the user interface changes. Photoshop is a big beast of a program, and since there are also a big number of changes and additions, we have chosen to tackle this in pieces. This is Part 1. MIAThe big Missing In Action item is ImageReady. It has ceased to be. Some of its functionality is now in PS, which actually makes a lot of sense. But not all of ImageReady’s functionality is incorporated, at least not in the Beta. Missing, for example, is the ability to create rollovers. This was a great feature of ImageReady and it allowed some very sophisticated web pages to be built without having to resort to Flash. User … Read entire article »
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How to Install the Adobe CS3 Beta
People seem to be confused about what to do, so here is a quick run through. The correct procedure is to do the following: 1. Download the software2. Go to the adobe site (or here if the previous does not work for you) and log in or setup an Adobe account if you don’t already have one3. Enter your CS2 serial number. This can be for the whole Suite or just PS. If you don’t have this, say so4. You will get a CS3 serial number. This will be 30 day limited if you don’t have a CS2 number, or until the CS3 ships if you do5. Install CS3 Beta and give it the CS3 serial number. That’s all there is to it. … Read entire article »
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CS3 Beta Indepth – Adobe Camera RAW
In our coverage of the CS3 Beta we now look at the new version of Camera RAW and find that it has much in common with the RAW handling in Adobe’s Lightroom. It is of little surprise that Adobe are moving to a consistent RAW handling across products, and thus that the Adobe Camera RAW (ACR) in CS3 PS and Bridge would follow that in the Lightroom Beta. And so the changes we see in ACR are more those of bringing it into line rather than much that is new. In this light, in this article I’ll not only run through what is new compared to CS2 ACR but also run through how I use most of these features. On starting ACR CS3 Beta you notice that more tabs have been added … Read entire article »
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CS3 Beta Indepth – Bridge
New features, new usability and new speed sum up the present state of the beta of Bridge. Bridge took a huge step forward yesterday with the release of the CS3 Beta version. Not only is thumbnail generation faster (yes, even in a Beta) but it has taken a huge step forward in functionality. The New The Old The user interface is even better. Fully customizable, you can create tabbed panels with components that you rarely use simultaneously, such as say keywords and metadata, in the same panel. And, as before, you can save your Workspace configuration. But now you can have three of them displayed as small icons at bottom right of the display, making switching fast and easy. Slideshow mode becomes more useful. You have various configuration options. When you play the slideshow … Read entire article »
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New Masters of Photoshop, Volume 2
Photoshop artists explain their own work processes by walking you through the development of an image New Masters of Photoshop, Volume 2Various authorsFriends of Ed, 2004ISBN: 1 59059 315 4 This is an interesting book. It consists of individual chapters written by the artist themselves that lead you through their thought processes and effectively gives you a look inside their head. The Photoshop artists covered in this book, and thus the chapters of this book are:* Corne Van Dooren* Teodoru Badiu* Per Gustafson* Alicia Buelow* Mauro Gatti* Jason Morrison* Colin Smith* Seung Ho Henrik Holmberg* Karen Ingram* Marin Musa* Jorge Restrepo* Jim Hsieh* Oliver Ottner* Don Clark and Ryan Clark The chosen artists in this book cover a wide range of styles and approaches, from commercial illustration to pure fine art. The great benefit … Read entire article »
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Photoshop CS2 RAW
This book comes to grips with working with RAW files in Photoshop, and does it well. Photoshop CS2 RAWBy Mikkel AalandO’Reilly, 2006ISBN: 0 596 00851 1 This O’Reilly book gets to grip with that troublesome topic for many photographers, RAW files, whether to shoot them and what to do with them. In 200 heavily illustrated pages you will find sections on:* Shooting & Importing RAW* Using Adobe Bridge* Using Adobe Camera RAW* Using Camera RAW Adjust & Curve Controls* Advanced Tonal Control* Sharpening RAW Smartly* Reducing Noise, Correcting Chromatic Aberrations & Controlling Vignetting* Better Black & White Images with RAW* Archiving & Working with DNG* Converting & Delivering RAW Right at the start, the book steps off on the wrong foot, at least to me. It devotes only three pages (1/2 of which is … Read entire article »
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Digital Art Studio
Techniques for Combining Inkjet Printing with Traditional Art Materials Digital Art Studio Techniques for Combining Inkjet Printing with Traditional Art Materials By Karin Schminke, Dorothy Simpson Krause and Bonny Pierce Lhotka Published by Watson-Guptill Publications, 2004 ISBN 0-8230-1342-1 Digital Art Studio is a book about extending digital printing, mainly inkjet, by working with unusual media, transferring the digital image and overworking the digital print with other artist’s materials. As such, it reminds me of the wonderful books on alternative photographic processes, like gum bi-chromates and cyanotypes, that I used to love in my darkroom days. This is a how to book for digital artists, illustrators, photographers and crafters who like to get their hands dirty. If you have become bored with the uniformity and repetitive perfection of the digital print, this is the book for you. Chapters include: Tools … Read entire article »
Filed under: Digital Fine Art, Fine Art, Fine Art Photography, Photography, Photoshop, Print, Uncategorized
