National Association of Professional Child Photographers Unveils International Image Competition Winners and Photographer of the Year

Almost 1,500 Images Submitted by World’s Top Child Photographers

ATLANTA, May 22, 2012 /PRNewswire/ — The National Association of Professional Child Photographers (NAPCP) recently announced the results of its fourth international image competition and revealed its 2011 Child Photographer of the Year, Stephanie Buckman of Stephanie Robin Photography.

NATIONAL ASSOCIATION OF PROFESSIONAL CHILD PHOTOGRAPHERS STEPHANIE BUCKMAN

With interest and participation growing each year, this latest NAPCP competition attracted images across a new range of category subjects, including maternity, newborn, baby, child, sibling, tween, seniors and family. A panel of photography experts and luminaries critiqued the thousands of image submissions for impact, technical merit, composition and creativity.

The overall NAPCP Child Photographer of the Year winner was determined by total number of points scored in both 2011 NAPCP Image Competitions.

“In reviewing the results of NAPCP’s fourth image competition, we continue to be amazed by the creative passion and specialization of our dedicated child photographer community,” said Alice Park, co-founder and president, NAPCP. “We congratulate Photographer of the Year Stephanie Buckman and the other winners for their stunning work and artistic ability which brings so much joy to families and loved ones around the world.”

The biannual NAPCP Image Competitions reward its winners with medallions, priority listing on the NAPCP directory, vendor endorsements, and membership points.

“Given the quality evident in all of the submissions, it was not easy choosing winners,” said Dana Pugh, a NAPCP image competition judge and NAPCP’s 2010 Photographer of the Year. “Those talented photographers being recognized in this competition should be extremely proud of their work.”

Winners of the fourth NAPCP Image Competition included:
Robin Long; Salem, Oregon
Nicola Toon; Cambridge, Ontario
Shona Hutchinson; Ottawa Ontario
Marie Vanderweide-Murray; Burlington, Ontario
Sandra Coan; Seattle, Washington
Elizabeth Blank; Woodstock, Georgia
Megan Drane; Naperville, Illinois
Chritene Schaaf; Virginia Beach, Virginia

Finalists included:
Aneta Gancarz; Manchester, United Kingodm
Stephanie Buckman; Burlington, Ontario
Jennifer Dell; Tomball, Texas
Lori Robison; Fleming Island, Florida
Karen Mackie; Dundurn, Saskatchewan
Maria Sze; Hong Kong, Hong Kong
Christin Carruthers; Stoney Creek, Ontario
Lora Moore-Kakaletris; Oakville, Ontario
Melinda Worthington; Bella Vista, Arkansas
Tamara Campbell; Waterdown, Ontario
Jennifer Kim; Springfield, Virginia
Meg Borders; Richland, Washington
Adele Cabanillas; Lacey, Washington
Tanya Alexis; Los Angeles, California

For more details on the NAPCP Image Competition, please visit http://napcp.com/photographers/competition/.

About NAPCP

The National Association of Professional Child Photographers (NAPCP) is a member-based association representing and promoting the community of professional child photographers. The NAPCP provides a valuable platform for seasoned veterans and rising professionals alike to share their experiences, hone their craft and raise their professional visibility.

NAPCP connects parents searching for child photographers with its members by providing a comprehensive directory and informative articles on what to expect from their professional photography experience. For more information, please visit http://www.napcp.com.

Legal Notices

Copyright © 2012 National Association of Professional Child Photographers. All Rights Reserved.

How To Win Photo Competitions – An eBook Review

How To Win Photo Competitions is an eBook it was about time somebody wrote, and who better that Peter Eastway, who has not only won many competitions at the highest levels but has also judged so many competitions himself.

How To Win Photo Competitions

By Peter Eastway

eBook, 2011

A$49.95

The ninety page eBook not only covers details of the judging process and tips on winning photos, but also on how to take and process a winning photo in the first place.

Sixty of the ninety pages in this book are on the shooting and processing of strong images. That will be a problem to some, but I feel it works. Much of this material is not new, after all how much new can one say about composition or using a histogram. But it is all written from the perspective of competition use, and that makes it very valuable by giving it the specific focus required.

The other thirty pages of the book are specifically focused on competitions, from why to enter competitions to details of the judging process. This information is well organised and effective. The part I personally liked the most was right at the end, where Peter discusses some of the decisions he made in preparing certain winning images. Other people will find their own favourite parts.

Judging the book as a whole, I would say it is the perfect book for amateur and semi-professional photographers who want to make their competition success less hit and miss. For professional photographers there is a lot to also get from this book, but I would hope that much of the material in the shooting and processing sections would be familiar. The information specifically about competitions is great and really should be read, while the shooting and processing sections will make your photography better, so are also worth careful study.

The thing I really love about this book is that it really gets you thinking about your images from purely a competition standpoint. There are few other books that will do that.

My only real criticism of this eBook is the price. Let’s be blunt, I think it is overpriced, especially given that there is really about 40-50 pages of truly competition-focused material. While there is lots of debate about the pricing of eBooks and many publishers defend identical pricing for print and eBooks, I just don’t buy it and I don’t think many consumers do either. A pro will not think twice about the price, perhaps, but an amateur will. That would be a real shame because amateurs will benefit most from this book. Whilst dead tree books beautifully illustrated in full colour do cost more to print, that is not the case with eBooks. So, if this eBook was half (still a bit high IMHO) or a third the price (just right, in my view) I would recommend it with no reservations. At essentially $50 I still recommend it, but I know many of the people who should read it will not, and that would be a real shame.

You might also be interested in reading my latest post on the HP Professional Photography blog about why to enter competitions.